Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Still life floral, all kinds of reality flowers oil painting 205

ID: 48212

unknow artist Still life floral, all kinds of reality flowers oil painting  205
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unknow artist Still life floral, all kinds of reality flowers oil painting  205


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unknow artist

  Related Paintings of unknow artist :. | An unknown youth leaning against a tree among roses | Christmas Eve | Christ on the Cross by Anton Raphael Mengs. Now in the Palacio Real, Aranjuez, in the former bedroom of King Carlos III. | Mary Magdalene | Self-portrait as Zeuxis. |
Related Artists:
Severin Roesen
1848-1871 Severin Roesen (ca. 1815-1872) is a painter known for his abundant fruit and flower still lifes and is today recognized as one of the major American still-life painters of the mid-nineteenth century. Born in Cologne, in Germany, he emigrated to the United States in 1848. While Roesen's paintings reveal a meticulous attention to detail in their precise arrangements and close brushwork, his subject matter, even down to specific motifs, did not change throughout his career. Sometimes he made near copies of paintings, but usually he merely rearranged and reassembled stock elements. Numerous items in Fruit and Wine Glass, for example, also appear in other paintings. The footed desert plate full of strawberries is a common motif. The pilsner glass, sometimes accompanied by an open bottle of champagne, is interchangeable with a wine goblet filled with lemonade used elsewhere. The glass is nearly always placed at the lower left edge of the painting; a halved lemon often appears nearby. Branches full of grapes arranged from lower left to upper right provide the composition with a graceful S-curve and subtly lead the viewer's eye over the entire display. Here the composition is balanced by light and dark grapes at either side and filled in by scattered raspberries, cherries, peaches, apples, pears, and apricots. Many of these compositional elements, if not the items depicted, were derived from seventeenth-century Dutch still life paintings by such artists as Jan van Huysem.
Francis Barraud
(14 November 1899 - 11 September 1934) was a Swiss painter. Barraud was the eldest of four brothers who all painted or sculpted at various points in their lives.The brothers, François, Aim, Aurle and Charles, were largely self-taught artists having been raised as professional plasterers and house painters. Barraud attended evening classes at the local art school in 1911 together with his brothers. In 1919, he exhibited his paintings in La Chaux-de-Fonds and participated in the National Exhibition of Fine Arts in Basel.Encouraged by the success of the exhibitions he left Switzerland in 1922, and moved to Reims in France where he worked as a house painter for two years. He married Marie, a French woman, in 1924. Marie subsequently featured as a model in several of his paintings.Around 1924 or 1925, Barraud found work in Paris as an artist and craftsman. While living in Paris he studied painting at the Louvre. François Barraud painted mainly still lifes, female nudes and portraits, including several double portraits of himself and his wife, Marie His precise, realist style of painting developed under the influence of the old Flemish and French masters he had studied at the Louvre. Barraud suffered periods of illness throughout his life and died of tuberculosis in Geneva, in 1934, at the age of 34.
Henri Harpignies
(June 28, 1819 - August 28, 1916) was a French landscape painter of the Barbizon school. He was born at Valenciennes. His parents intended for him to pursue a business career, but his determination to become an artist was so strong that it conquered all obstacles, and he was allowed at the age of twenty-seven to enter Jean Achard's atelier in Paris. From this painter he acquired a groundwork of sound constructive draughtsmanship, which is so marked a feature of his landscape painting. After two years under this exacting teacher he went to Italy, whence he returned in 1850. During the next few years he devoted himself to the painting of children in landscape setting, and fell in with Corot and the other Barbizon masters, whose principles and methods are to a certain extent reflected in his own personal art. To Corot he was united by a bond of warm friendship, and the two artists went together to Italy in 1860. On his return, he scored his first great success at the Salon, in 1861, with his Lisiere de bois sur les bords de l'Allier. After that year he was a regular exhibitor at the old Salon; in 1886 he received his first medal for Le Soir dans la campagne de Rome, which was acquired for the Luxembourg Gallery. Many of his best works were painted at Herisson in the central France region of Bourbonnais, as well as in the Nivernais and Auvergne regions.






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